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about

“Mineral Water” finds the band successfully juxtapose the idea of a laid-back swagger. Here, the band shows why it made sense to leave the track off New Age Soul—simply put, it has all the trappings of a standalone single.

lyrics

You want me to go
You want me to go turn the lights out
You want me to go
You want me to go turn the lights out

Savor the taste
Fragrant the fumes stuck in my life
Shaping up to a bogus speech
Can’t leave you unprotected
Savor the truth
Or the illusion perfected
Desperate eyes miss the point in seeing
I’m ready to fend self-possessions

Oh, I am at a loss
For words my tone is thin like smoke

Savor the truth
Or the illusion perfected
Desperate eyes miss the point in seeing
I’m ready to send you alone
Savor the taste
Or the illusion in my life
Desperate eyes miss the point in seeing
I’m ready to fend self-possessions

Oh, I am at a loss
For words my tone is thin like smoke

Savor the taste
A scene to steal
The vanity of the obsessive ones
If you are to vanish down the road
The specter you’ve seen isn’t like me
The specter you saw was a trick of light
Guiding you towards the domestic life
I live with the feeling night by night
Someone is breathing down my neck

credits

from Your Face Replaces Mine, track released February 15, 2024
“Mineral Water,” produced, engineered, and mixed at Maze Studios (Atlanta, GA) by Ben Etter. Mastered at Joe Lambert Mastering (Cortlandt Manor, NY) by Joe Lambert.

Performance credits:
Scotty Hoffman (Guitar, Bass, Vocals)
Ross Politi (Guitar, Percussion, Vocals)
Sean Zearfoss (Drums, Percussion)
Eric Balint (Percussion)

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tags

about

Small Reactions Atlanta, Georgia

Small Reactions play situational pop songs. Relying on the minimal instrumentation of guitar, bass, vintage organs, and drums, the quartet is equal parts post-punk, new wave, and surf.

Their music has been internationally praised by Huffington Post, GoldFlakePaint, Atwood Magazine, The Big Takeover, and more. They've directly supported the likes of Portugal The Man, Mac DeMarco, and DIIV.
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